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Genre: Concerts

Open House feat. Never Dull w/ Funk Hunk + CRL CRRLL

Open House presents Never Dull with Funk Hunk and CRL CRRLL on Saturday, May 6 —  AGES 21+ SIGN UP FOR OUR OPEN HOUSE SMS LIST: https://larimerlounge.com/openhousesmslist/ Be the first to know about special promos, guest list opps, presale codes, and beyond!

Open House feat. Paradime w/ Yaakov

Open House presents Paradime with Yaakov on Saturday, May 6 —  AGES 21+ SIGN UP FOR OUR OPEN HOUSE SMS LIST: https://larimerlounge.com/openhousesmslist/ Be the first to know about special promos, guest list opps, presale codes, and beyond!

Indie 102.3 and 105.5 The Colorado Sound Present Hannah Jadagu w/ Miloe + Isadora Eden

Indie 102.3 and 105.5 The Colorado Sound Present Hannah Jadagu with Miloe and Isadora Eden on Wednesday, September 27th.  Fresh out of high school, Hannah Jadagu released her debut EP, What Is Going On?, a collection of intimate bedroom pop tracks recorded entirely on an iPhone 7, which was, at the time, Jadagu’s most accessible mode of production. An off-the-cuff approach to music making and instinctive ability to write unforgettable hooks belied the intensity of Jadagu’s subject matter. In a short run time, What Is Going On? confronts some of the nation’s most urgent struggles all through Jadagu’s compassionate perspective. “I want my songs to be both super intimate and still universally relatable,” Jadagu says. “With the EP, so many people told me that the songs resonated with them on a personal level, and that’s what I’m always hoping for.” On May 19th, 2023 Jadagu premieres Aperture, her first LP and most ambitious work to date. Written in the years between graduating from high school in Mesquite, TX and her sophomore year of college in New York, Aperture finds Jadagu in a state of transition. “Where I grew up, everyone is Christian; even if you don’t go to church, you’re still practicing in some form,” Jadagu says, laughing. “Moving out of my small hometown has made me reflect on how embedded Christianity is in the culture down there, and though I’ve been questioning my relationship to the church since high school, it’s definitely a theme on this album, but so is family.” As a kid, Jadagu followed her older sister – a major source of inspiration who she refers to as “the blueprint” – to a local children’s chorus, where she received choral training. “I hated it,” Jadagu admits. “But it taught me how to harmonize, how to discover my tone, how to recognize and write melody.” The aching single “Admit It” is dedicated to Jadagu’s sister, whose boundless love and impeccable taste has been a constant for Jadagu ever since she was a kid. At home, the siblings were raised on mom’s Young Money mixtapes and the Black Eyed Peas (to whom she credits her love of vocoder) but it was in the sanctity of her sister’s car that Jadagu discovered indie artists who would go on to inspire her work. “Lose” showcases Jadagu’s love of contemporary indie auteurs as it weaves a spare and unpretentious guitar riff with barebones piano chords all while Jadagu sings about the thrill and underlying fear that comes with beginning a new relationship. It is, in her words, a “classic pop song.” “The things we haven’t done/ Play out in my mind/ Would you just give me time?” she sings, nearing the end, as the skittering drumbeat propels the song from a place of contemplative yearning to defiance. “Every track on this album, except for “Admit It”, was written first on guitar, which is an instrumental throughline,” Jadagu says. “But the blanket of synths I use throughout helps me move between sensibilities. There’s rock Hannah, there’s hip-hop Hannah, and so on. I didn’t want any of the songs to sound too alike.” An aperture is strictly defined as an opening, a hole, a gap. On a camera, it’s the mechanism that light passes through, allowing a photographer to immortalize a moment in time. For Jadagu, the word perfectly encapsulates the mood of her debut album. In the years it took her to complete, she faced moments of darkness, sure, but the process of making it, her first ever in a professional studio, was ultimately a cathartic experience, one she now shares with you, the listener. Let the light in. -16+, under 16 admitted with ticketed guardian

Lab Thursdays: Denver EDM Friends Takeover Feat. Snaxxx, WeebTrash, Carl, Denver EDM Friends (DJ set) + Kalypsound

Larimer Lounge presents Lab Thursdays: Denver EDM Friends Takeover Featuring Snaxxx, WeebTrash, Carl, Denver EDM Friends (DJ set) and Kalypsound on Thursday, June 15th.   Snaxxx is a dubstep producer and DJ based out of Indianapolis. From playing her first show in 2018, she has quickly made a name for herself in the EDM community. Snaxxx is known to have the whole crowd head banging, throwing down a mix of anything from heavy dubstep, riddim, and spacey wubs. While rising up in her career, she has shared stages with well-known artists, including Svdden Death, DJ Diesel, Kai Wachi, 12th Planet, Level Up, Virtual Riot, Hi I’m Ghost, Dillon Francis, & more! -16+, under 16 admitted with ticketed guardian

Bonnie Stewart w/ Ellsworth + Alana Mars

Larimer Lounge Presents Bonnie Stewart with Ellsworth and Alana Mars on Sunday, June 25th.  Magnolia, the debut EP from Bonnie Stewart, introduces a lyric-driven singer/songwriter whose music bridges the gap between Americana’s past and present. It’s an ethereal sound rooted in the influence of her parents’ timeless record collection — including Emmylou Harris, Guy Clark, and other classic craftsmen — with arrangements whose lush, atmospheric sweep nods to the modern day. Gluing that mix together are Stewart’s aching vocals and sharply-written insights of life, love, and lingering memories we all carry with us.  Raised in South Carolina, Stewart moved across the state several times as a child, living in small towns and cities alike. Her environment was transient, but her love of music — from the iconic folksingers of her parents’ generation to the rock artists her older brothers preferred — remained constant. That connection with music would soon become more than a hobby; it became a way to make sense of the changing world around her.  “I started writing songs when I was 9, the same year my parents got divorced,” she remembers. “You can imagine why those two things went together.” That same year, she collected her birthday money and bought a cheap electric guitar at a pawn shop, using the instrument to funnel her frustration into songs about leaving her childhood home and accepting her new reality. As she became a teenager, Stewart continued writing songs, steadily laying the foundation for the career that would eventually take her to Nashville.  Moving to Music City halfway through college, Stewart sharpened her songwriting skills by playing shows around town and taking courses at Belmont University. She also felt an affinity for locals like Kacey Musgraves, whose music blurred the lines between gauzy Americana, country, and modern pop. Stewart developed a unique sound that also shrunk the distance between genres, creating homemade demos on her own and eventually partnering with local producer/writer Oscar Charles to create Magnolia.  Magnolia’s six tracks were all written by Stewart, showcasing a young writer who nods to her musical roots while still moving forward. Coming from a long line of powerful women, she proudly wears her grandmother’s 1950s tea length skirt on Magnolia’s cover, repurposing an item from her past to make a statement about her empowered present. She fills the EP with gorgeous melodies and hard truths, too, singing about a complex relationship with her father on “Original Muse” before sketching an empathetic character study with “Sarah,” whose titular heroine grapples with an unplanned pregnancy. Throughout it all, her voice sits atop layered, echoing arrangements whose pulsing synth bass and reverb-washed soundscapes accentuate the craft of her writing. Often, the two go hand in hand; “Sarah” contains the twinkling sounds of a toy piano that producer Charles received as a baby, serving both as a melodic instrument and clever nod to the song’s subject matter. In a town built upon tradition, Bonnie Stewart has created a sound that blends the classic with the contemporary. This is atmospheric Americana at its best, laced with unexpected flourishes that pair beautifully with the songs’ melodic foundation. “When I listen to music, I always listen to the lyrics first,” she explains. “At the end of the day, if I strip back all of the production of my songs, can I sit and play the song alone, and it still means something? That’s always been my goal. We accomplished a visual world and an aesthetic with this EP, but at the end of the day, the songs stand alone.” With Magnolia, Stewart’s sound is in full bloom. -16+, under 16 admitted with ticketed guardian

Global Dance Presents TELYKAST w/ Kandyshop + Zeos

Global Dance Presents TELYKAST with Kandyshop and Zeos on Friday, June 9 –21+  SIGN UP FOR OUR OPEN HOUSE SMS LIST: https://larimerlounge.com/openhousesmslist/ Be the first to know about special promos, guest list opps, presale codes, and beyond!