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Genre: Alternative/Indie Rock

Indie 102.3 Local Meetup (FREE EVENT)

Indie 102.3 Presents Local 303 Meetup (FREE EVENT) — Indie 102.3’s Local 303 Meetup is live and in person on Monday, July 25th at 6:30-9:00p. Details include a live performance from The Patient Zeros! Admission is free and this event is all ages, so get ready to come out of your caves and mingle with some of your favorite Colorado bands and radio hosts!  

Walden w/ Seth Beamer

Larimer Lounge Presents Walden with Seth Beamer on Thursday, October 27th. Walden consists of 4 guys who’ve stayed best friends while making music together for 10 years. They formed in 2012 while still in high school in Atlanta, consisting of Richard Becker, Jamie de Lange, Eric Hangartner, & Andrew Mendel.  They burst onto the scene with their release of The Green Lights EP in 2018, playing at Bonnaroo, Shaky Knees, KAABOO Del Mar, Summerfest, & Suwannee Hulaween, & supporting renowned acts including Moon Taxi & Ripe. They released The Static EP in 2019 & several singles/music videos in 2020/2021. Their new EP – “Waiting for the Moment” – came out on July 22nd, 2022.  In 2021, they coined the “Where’s Walden Tour,” successfully planning & executing a tour of all 50 states starting on a $50 budget. They performed in a unique array of venues including traditional clubs, museums, breweries, & even a national cave. With the support of their loyal fans, Walden funded the whole operation with merchandise sales, donations, sponsorships, & ticket sales. -16+, under 16 admitted with ticketed guardian

Disq w/ People Like Me + People in General

Larimer Lounge Presents Disq with People Like Me and People in General on Monday, November 28 —  With their debut album Collector, the Wisconsin-bred alternative rock outfit DISQ seemed to have everything required to take the world by storm. They had the full support of revered veteran indie label Saddle Creek. They’d received favorable notices from outlets such as the NME, the Guardian, and Stereogum. They had an energetic live show which was sure to convert a sea of devotees, and an international tour booked to prove it. Most crucially, they had an album of winning and memorable rock songs, polished to a fine sheen by legendary producer Rob Schnapf. You could not fault these five fresh-faced youngsters for betting it all, but their big mistake was one that no musician could have seen coming : their release date, March 6th, 2020. Within days, the world Disq was poised to conquer ceased to exist. Undaunted by a storm of misfortunate which would have crushed a lesser band, Disq now returns to take what is rightfully theirs, with their sophomore effort Desperately Imagining Someplace Quiet, a record which reaffirms the charms of Collector while pushing the sound and dynamic of the band in exciting and unexpected new directions. Rather than splintering and surrendering to their cursed circumstance, Disq has emerged a stronger band, more daring and more defiant, ready to finish the job. It is fitting that the clever backronym effectively makes this the band’s self-titled album, as it introduces the public to a new Disq, a band both seasoned by experience and newly invigorated toward vivid new heights. Though initially formed as an extension of the lifelong friendship between guitarist Isaac DeBroux-Slone and bassist Raina Bock, Disq has evolved into a far more democratic and egalitarian organization, as Desperately Imagining Someplace Quiet finds guitarists Logan Severson and Shannon Conor splitting singing and songwriting duties with the aforementioned DeBroux-Slone and Bock. Such an approach could have easily fallen into the trap of “satisfying everyone, pleasing no one,” resulting in committee-approved music devoid of any personality or rough edges, but happily, the opposite is true. Pushing play on Desperately Imagining Someplace Quiet, it is easy to imagine that it is the year 1998, and your cool older sister has returned from her freshman year at college only to hand you the sort of mind-altering mixtape out of which lifelong rock fanatics are born. It is the sort of record Beck might have made in his prime, if you swapped out the hip-hop and delta blues of Odelay for midwestern emo, Scottish power-pop, and the sort of all-American indie that functions as “classic rock” for this cherubic cohort. A song such as “Prize Contest Life” initially scans as a straightforward and easygoing pop treat, only to take a startling detour into the sort of cacophonous noise jam on which Yo La Tengo made their name. Rousing opener “Civilization Four” introduces itself with a dizzying collage of bells and whistles, before a spoken sample helpfully announces “music,” and the band lurches into a glam-grunge riff with enough Stones-y swagger to earn a place in the next Scorsese soundtrack. On understated closer “Hitting a Nail with a BB Gun,” Bock sounds like Kurt Vile fronting Supertramp right when the edible hits. In between, there are heartfelt rock anthems (“The Hardest Part”), acoustic lullabies (“Meant to Be”), and yearning alt-country gems (“If Only), to name just three of the detours along Disq’s winding road to long-deferred satisfaction. -16+, under 16 admitted with ticketed guardian

Hits 95.7 presents ella jane ‘the marginalia tour’ w/ Cece Coakley

Hits 95.7 Presents ella jane ‘the marginalia tour’ with Cece Coakley on Tuesday, November 8th. VIP includes: (1) Signed Copy Of Exclusive marginalia Zine (1) Early Entry into the venue for an exclusive acoustic performance (1) 10 Minute Q&A Session (1) Meet & Greet For as long as she can remember, Ella Jane has been writing in the margins. Growing up, annotation was a way of understanding and processing the culture that surrounded her, a means of collecting words and stories that would become foundational to the songs she would write. Conversely, songwriting became a way of marking up the experiences in her own life, a process she’d often document and share in real-time with an ever-expanding online community.Having amassed a legion of fans and followers ahead of her freshman year at Tufts University, Ella entered one of the most exciting periods of her life confined to her dorm room as a result of the ongoing COVID pandemic. With an excess of time at her disposal, she spent much of the year fine-tuning a batch of songs that she had brought with her from high school, which would eventually become her debut project, THIS IS NOT WHAT IT LOOKS LIKE.The EP arrived the following summer via FADER Label, catching the ears of fans such as Elton John, who praised follow-up single “Calling Card,” saying “if there’s any justice in the world, it will be a big hit for Ella Jane… I really love it.” Sold-out shows in New York and Los Angeles soon followed, as did a cross-country tour with Peter McPoland and an appearance on Netflix’s Heartstopper soundtrack.Spurred by the momentum, she dropped out of college and moved to Brooklyn to give the music all of her time. The songs she wrote during this period radiate with the coming-of-age urgency of that moment, and all the identity-affirming head rushes that came with it. Teaming up with producer Mike Irish, they aimed to keep the pop sensibilities of her earlier work as well as steer them toward a grittier place more akin to the sound of her alt-rock heroes. They landed at Marginalia; a concise offering of her most propulsive and assertive material to date that establishes Ella Jane as a formidable storyteller all while nodding to the process that got her there.16+, under 16 admitted with ticketed guardian

Hablot Brown w/ Floyd Fuji

Larimer Lounge Presents Hablot Brown with Floyd Fuji on Tuesday, November 22nd –16+, under 16 admitted with ticketed guardian

Hotel Mira / The Zolas

Larimer Lounge Presents Hotel Mira and The Zolas on Wednesday, August 3 —16+, under 16 admitted with ticketed guardian